Thursday, March 6, 2025

Looking For Trouble

a short story 


These legal wrangling take forever, y’know. Or maybe you don’t. Well anyway, they do. I mean, you can spend literally months in county waiting for them to sort this shit out; even just to get a court date. So after all that, now I’m waiting on sentencing. Like who gives a shit, the public defender, who was a really decent guy by the way, got ‘em to charge me as a minor, so it don’t mean jack. I mean, what’re they gonna do to me, right? Probably get a shot at boot camp, which is like ninety days of hell, and then they let you go. Man, compare that to ten years in the big house. Yeah, well… So it’s all cool. Then the assistant DA comes to see me.

What the fuck’s he want. They take me down to this little office where you go to talk. Him and this other guy in their fucking fancy suits. Sitting there on the edge of the table, one leg crossed over the other. Can’t help but see his shoes are worth more’n I am. Me sitting there in front of them in the chair with cuffs on. He smiles at me, hands me a cigarette like he can read my mind. Like this is all a big game to him, serious as hell, but a game nonetheless.

“You got anything for me” he asks. “Like what?” “Election year, Mikey, that’s what.” “So?” “So every four years, citizens wanna know what we’re doing to clean up the streets, keep ‘em safe. That’s how people get elected.” “Yeah, well I aint runnin for no public office.” “That’s true” he says “but the people who are… are looking to bust some heads. Looking for information, leads, names, that sorta thing.” “What’s that got to do with me?”

“Everybody knows something. And right now, everybody’s singing to save their ass.” He lights up a cigarette. Not smiling anymore. “We got Jimmy Dee’s in ISO. You probably didn’t know that.”

Yeah well y’hear a lotta stuff. But I hadn’t heard that. Jimmy Dee’s is one of Lantro’s boys. I don’t know him, but I’ve heard the name, and I know where this is headed. Sends a cold shiver down my spine. Like the barrel of a .45 stuck against your forehead.

He takes a drag off the cigarette, goes on. “Jimmy’s staring at death row. About all he can look for, is to keep feeding us. So we got a reason to keep him alive.” “I don’t know the guy” I tell him “never met him.” “Yeah? Well what about that Malone boy, who was murdered, beaten to death. He says that was you.” “Jesus Christ, I tried to save his ass. They damn near killed me too.” “Who did” he says.

I look at his face, stone cold, like I’m nothing, less than an insect to him. Step on me and squash me anytime he feels like. I don’t know what to say, gotta stall, try to think this out. “You want me dead?” “I don’t care” he says. “Yeah, well I do.” He lights up another cigarette, hands it to me. “With all these convicts singing, everybody spilling their guts, ratting out everyone they ever heard of…you could be here for awhile.” “How’s that?”

“It’s a pretty simple process.” Looks me in the eye, doesn’t blink, like a stone wall and no way around it. “You play ball, maybe find yourself in boot camp. Or...with all these accusations flying around, we might have to bring charges. You gonna be eighteen pretty soon, right?” “Three weeks” I tell him. He smiles. “So…got anything for me?”

Running all this stuff through my head, still haven’t come up with anything. Like you’re stuck in a vise, and thinkin’s not gonna help much. “Could I…talk with my lawyer?” “When I walk out that door” he says “I was never here, and this conversation never took place. You got one shot. And I got a lotta other convicts to see.” “So whatta you want?” “Lannie Trophers” he says, without blinking an eye. Then he shakes his head. “That guy… ‘causing a lot a headaches, on the street.” “Yeah… okay.”

Back in my cell, almost lunch time. Don’t feel like seeing anybody’s face in the chow hall. Like you can tell by looking at me, that I just poured out my guts to the DA. Anybody and everybody, make shit up if you have to. Just keep talking. Every rumor you ever heard, every little scrap of information that’s maybe got some truth to it, or at least sounds like it. I suppose he’s heard it all before, a million times. And maybe some of it he can piece together from other stories he’s heard. Shit, that’s what I’m doing, and no doubt he knows that too.

Tell the guard I’m sick. Can’t make it to chow, or anything else. Just stay in my cell. He smiles, like that’s how they all look when they go talk to the DA. Shit, let him laugh, nothing I can do about it. And that’s the least of my worries. Told the assistant DA how we can set up a buy. Take ‘em straight to Lantro, slap the cuffs on. And it’s all bullshit. But what can you do. Figure my only shot is to make a break for it, once we’re outside.

Lie down on my bunk. Try to figure out how all this shit happened, like a ton a bricks just fell on you outta the blue. Carrot and the stick, keeps running through my head. Coulda charged me with a buncha shit, but they let me plead down, to almost nothing. Burglary, sounds a lot better’n armed robbery. Maybe they couldn’t a proved it anyway, but who knows. Somebody picks you out of a line up, and you’re fucked. Who’s the jury gonna believe, them or me. Shit.

And it was all gonna be so good. Ninety days in boot camp. Toughen up, play by the rules. Go home free. Shit, maybe even get your GED while you’re there. And now this shit. Go back to trial, as an adult. And all this ‘new fucking evidence.’ Wow, how does this happen, like the walls closin in on you. Get the feeling that crime doesn’t pay. Not for a small-timer like me, anyway. Like you’re just somebody’s pawn, waiting to get played.

Coulda told ‘em the truth about Dougie Malone, not that anybody’d care. Dumb bastard, too stupid to be alive anyway. Rips off some crack dealers, punk kids with pocketfuls of money. Wants to be in our gang. Aint no fucking gang anyway, just me and some other guys, hanging around together. And Dougie wanted to join. But you can’t have some… dumb fuck like that. Little guy with a big mouth, and no brains. Of course they gonna come for him. And his little sister telling me, they got Dougie, and gonna beat the shit outta him.

I find ‘em, down a dead end alley, vacant lot. Nothing here but sunshine, barbed wire and broken up rubble. Thinking I can maybe talk our way out. Give ‘em back the money, be all square. What the fuck, that aint gonna happen. What am I even doing here. Just, she asked me to, is all. But they want blood, not money. Bust some skulls, set an example. Then Lantro shows up. Like death staring into your eyes. Kinda like that DA guy, just a game to him. Doesn’t even mean anything.

Try to fight our way out, and they beat us, and beat us, and keep on ‘til you’re out cold. But Lantro, I remember. Tall and rangy, bare arms, swinging his fists. Me lying there, looking up at the sun, seeing his face, blank, lifeless. Not even mad, just something to do, playing the game.

When they found us, Dougie was dead before we even got to the hospital. Hell, I hardly even knew the guy. Just some kid in the neighborhood. Couple a years older’n me but shorter and mouthy. Always talking shit, that don’t mean nothing. Type a guy you’d wanna punch in the mouth, tell him to fuck off. But his little sister…you couldn’t help but want her. She doesn’t even belong here. Sweet kid, such a pretty face, nice round breasts and ass, blonde hair. Like she oughtta be out in the country somewhere, or maybe the suburbs where good people live. I dunno, not here anyway.

Two years ago that they killed Dougie, nobody’d care or even notice it, except now it’s an election year. An unsolved homicide they can maybe pin on Lantro ‘cause it’s about as solid as anything else they got, I guess. And all the time I been here, what… three, four months now, she’s come to see me. The only one who ever showed. That’s nice, a nice thing to do.

I told them, the assistant DA and the other guy, about this place I know. A shot in the dark maybe, but what else is there. When they’re looking down on you like that, like you’re staring down the end of a gun barrel. Telling ‘em you just wanna live; and doesn’t matter to them. What are you gonna do. Gotta get outta this place, that’s for sure.

Next morning they drag me outta bed before sunrise. What a bitch, but at least none of the other convicts will see me leaving, that’s good. Be the shits if they pulled me out with everybody watching. You don’t ever wanna be the latest rumor on the cell block.

Get dressed and out the door. Feels good. Air is somehow fresher, cleaner, on the outside. Tastes like being free. For the moment anyway, shove me into a car and we’re gone. Four guys, two of ‘em DEA, the others Metro detectives, all of 'em dressed like street thugs. We pull into a pancake house for breakfast, sounds good to me. Obviously the older fed is in charge of this gig, does all the talking, introduces me to the others, spells it all out. Like my life is in his hands, and whether I live or die depends on doing exactly what he says.  

Geez, can’t help feeling like this is my last meal. Guess he knows that ‘cause he keeps everything moving so fast, you barely have time to think, or be afraid. Says his name’s Gus. Franko’s his partner, and the two metro guys are Roy and Scott. When we get there, he’ll do all the talking, and I’m just ‘sposed to be invisible, stay outta the way. Guess I better do my tough guy act, ‘cause me knees are starting to shake. Then it’s time to go. Goddamn.

Sunrise just breaking over the horizon, poking through gaps in between the tall buildings. Grey, pink, and blue. Gonna be a nice morning. Hope I make it to noon. Park down the street, me and Gus and one of the metro guys saunter down the sidewalk. Hands me a little briefcase and we go up to the house. Weird, it’s the only thing left on this vacant lot, rubble and weeds everywhere, like nobody’s been here in ages. The house is all boarded up but there’s a wooden stairway around back that goes up to what looks like a second floor apartment.

I knock on the door, and it echoes out across the deserted lot, like gonna wake up the whole neighborhood. And everybody here’s a gun totin cop killer. No answer. Keep knocking, try to listen for sounds above the pounding of my heart. Man, it’s hard to even keep my eyes focused, like a bad dream, and not really happening. I wish.

Finally a guy comes to the door and cracks it open. “Yeah” he says. “Hey” I tell him “wanna do some business.” “Fuck off” he says, and closes the door. I pound on it again, and he cracks it open. “You still here, motherfucker.” “Got a pound a smack” I tell him, holding up the ratty little briefcase. “Fuck you” he says “get outta here.” “Hey” says Gus “are we here to talk…or what?” “Who the fuck are you” says the guy. Tell him my name, feels like I’m writing on my tombstone. Tell him the others are friends of mine.

“I heard of you” the guy says. “You some little punk hood, right?” “Yeah” I say “but I ran into Jimmy Dee’s in county. He told me to look you up.” The guy doesn’t say anything, like he’s mulling it over in head. Then opens the door and motions for us to come in. Dark as hell inside, shades all drawn, little table lamp glaring in the corner. Crumby beat up furniture in a big open room. Me and Gus sit down on the couch, the guy sits down across from us. Looks like he’s just a kid, but tall thin old for his age. Roy, the metro cop leans against the wall by the door. A couple of the guy’s pals are leaning against the other walls. Don’t see any others, but feels like there are, like we’re all being watched.

“I got two kee’s” says Gus “for starters. If you can move it, there’ll be one or two a week from now on.” “Who are you guys” says the kid, like he’s not interested. “Name’s Gus. That’s my partner, Roy. This kid here says you the man to see.” He nods his head at me, I’m thinking none of us gonna walk outta here alive. “Gus…” the kid says “you come to my house, with two kee’s, and I’m ‘sposed to do what?” “Hey, the kid brought us here” nodding at me “if this aint the place, just say the word.”

The guy doesn’t answer, like he knows we’re cops, but maybe we’re not; and the deal sounds too sweet to pass up. “I don’t know you” he says. “Nobody knows anybody” says Gus “until we get acquainted. After that, maybe we’re tight. Who knows.” The kid considers that, but still like he’s not interested. “How’s Jimmy Dee’s.” “They moved him to ISO” I tell him, shrug my shoulders. “So… you got nothing to tell me” says the kid. “He’s making it” I say “didn’t seem like he was worried about it.” “Good” he says, nodding.

Then he looks at the briefcase. “How I know it’s any good?” “Leave you a sample” says Gus. “If it’s good” he pauses, smiles a big smile “you give me a call.” “Yeah, okay” says the kid. Gus reaches into his pocket, tosses the kid a little baggie of white powder. “Be careful, it’s pure, hundred percent.” “How much” says the kid, indicating the briefcase. “Quarter mil” says Gus. The kid nods, lights up a smoke. “Okay” he says “we’ll be in touch.”

Man, that’s a relief, now if we can get ougtta here, I’ll be able to breathe again. Then Gus says “just one thing. I gotta see the cash.” “You don’t trust me” asks the kid, so nonchalant you’d think he was bored. “Not that” says Gus “just, if we’re going to move a couple a kee’s a week, I gotta know… you can pay.” The kid gets up, goes in the other room. Gus leans back on the couch, glances around the room. I’m picturing the kid loading a .12 gauge, gonna come back and splatter us all over the room. Gotta hand it to Gus though. Man, he’s so cool, like he enjoys this shit. Gets off on staring death in face, like it’s a game, no big deal.

The kid comes back with a big shoebox, stuffed full with bound up hundred dollar bills. “There’s a half” he says “or a little more. For the stuff you got, plus next week’s. And a little extra, for you guys. Have some fun, on me.” Man, I can’t believe it. Half million dollars, in a shoebox, like its tipping money. Like even if the kee’s are just powdered sugar, he can afford the loss, not worry about it. Gus looks at the money, then up at the kid. “Count it, if you want” he says.

Gus smiles like he’s just swallowed the canary, looks over at Roy. “Shit… gonna trade my Porsche for a Lamborghini.” Weird thing to say, unless that’s his go sign for the other two cops. “Just one thing” he says “I’m DEA, and you’re all under arrest.” Nobody makes a move, wondering if he’s just joking or what. Then the other two cops bust open the door and come flying in with their guns drawn. “Freeze. Hands in the air. Nobody move!” Shit, my heart’s pounding like it’s gonna explode. The kid looks up at the other metro cop. “Scott... what the fuck, man?”

Oh shit, man this aint good. I start looking for exits. The DEA guys look at the two cops. Roy over by the wall, aims his gun and fires at Gus. Gus hits the floor, then fires back. The kid and his two pals pull their guns and like all of us figured it out at the same time. Couple a crooked cops gonna take the money, the dope, and never be seen again. They start shooting at everybody, and everybody shooting back. I hit the floor, start crawling for the kitchen fast as I can. Some guy from the hallway comes in with a shotgun, gets off a couple of rounds then goes down. I see a window over the kitchen sink and hurl myself through it.

Freefalling, waiting for the ground to come up and meet me, manage to flip over just as my feet hit, then my face. Almost go out, but I can’t. The sound of muffled gunfire coming from the house, like hatred, death, ‘til you can’t stand it. Gotta get up, fall again, get up and run, stagger like falling downhill, dizzy, but still moving across the vacant lot to an alley. Down the alley, into the street. Down the sidewalk, cross the street, walking fast now, trying to clear my head, get my eyes to focus. Think. Keep moving, gotta get outta this neighborhood. The only white face around and all those gunshots, not a good mix. Find a cab maybe, I dunno. A bus, where’s the bus stop. Lemme see, Lennox and 29th, there’s a bus a couple a blocks over. Gotta get there.

Couple of old ladies waiting there. I sit. My face feels numb, hope it’s not all red or muddy or whatever. Feel around, see if I’m cut, bleeding. Shit, a gash along the left side of my forehead. Rub my hand over, but it doesn’t stop. The old ladies look at me. See by their faces, it isn’t good. “Got a handkerchief” I ask. One of ‘em looks in her purse. Hands me a kleenex, and a little compact mirror. “What’s wrong” she asks. “Late for work” I tell her “tripped running down the steps. I must be a mess, huh?”

“I heard…gunshots” says the other. “Me too” I say “what’s going on. Is it a robbery?” Police sirens ring out, then more of ‘em, like echoes, one after the other. “Where they going” I ask. “I don’t know” says one of the ladies, trying to see where the sirens are coming from. The bus shows up, and we get on.

Keep spitting on the kleenex, trying to wash the blood off, all the way down my cheek and neck. Grass stains on my forehead, and imprint of where I hit the ground, feeling the little bumps, like if I rub it, it’ll smooth out somehow. My ears burning red, and I’m trying to act all calm at the same time. Walk down the aisle to the back of the bus. If I have to, can jump out the side door when we stop. Or jump out a window, if I have to do that. Not going back to county, that’s for sure.

But where am I going? School…how far is that? Could boost a car, but don’t think I can drive. Maybe call somebody. But nobody wants me to do that. Like a death sentence for anyone caught with me. Can’t do it. School, why am I going there. Oh yeah… but it’s the other way. So how do I get there. Got no money. Geez, wish I coulda grabbed one of those stacks of hundreds. A half million dollars, and like that was a drop in the bucket. No wonder those cops couldn’t pass it up. But sure as shit, its gonna all come back on me.

Get off the bus and start walking. Wrong direction but at least it’s getting me farther away from the house. Take a deep breath and look around. Things aren’t spinning anymore, that’s good. Can almost focus clearly. Cars parked along the quiet street. Hop in a rusty old Honda and get it going. My head’s clear now, know what I have to do.

Get to the school and go inside. Man, like walking back to your childhood. A year and half since I been here. So innocent back then. Like little games children play, pissing off the teachers, making the other kids laugh, and they think you’re so cool. That was good times, back then. Better than now, anyway.

See some kid wandering around the halls, ask him if he knows LaRissa Malone. “Yeah” he says “so what?” Tell him he’s gotta find her, get her outta class, and right now. He doesn’t get it, so I gotta make it stick. Tell him I’ve just come from a shootout and she’s the next target. Now all of a sudden, like he’s in on it. Gang war, feds, and all that shit. All excited and whispering, what’s the plan.

Just… I dunno, that she’s gotta come to the office, family emergency, something like that. “Yeah, that’ll work” he says, and goes off to find her. I watch to see where he’s headed then duck into the bathroom to check my face. Shit, grab some paper towels, run water on ‘em and wash the dried blood off the side of my face. Straighten my hair a little, doesn’t look so bad now. Up the steps and there she is, coming outta a classroom with the kid.

“Jesus, Mikey, what’re you doing here?” “We gotta go” I tell her “I’ll explain, okay.” Get in the car and take off. Thing is, I don’t know where to go. Gotta figure the cops made it to the house in no time. No doubt, word’s on the street too. That means Lantro knows… that we hit his money house, and shot the shit outta the place. And the tall skinny guy with the cash, was probably his little brother. Not good. But at least I got LaRissa before they did.

Sure as shit, she’d be the first one that Lantro or the cops would come looking for, to find me. I dunno, maybe I’m paranoid; but a pretty girl like that, showing up in county every week for visitation… people notice shit like that. And maybe I can get lost in the city, or get out even. But wouldn’t do any good if they got her. Just be a death sentence for both of us. I try to fill her in on what happened, probably got it all backwards, but I think she’s gets the idea anyway.

“Oh no, no, no” she says. “Mikey, you gotta get to the police, explain to them…” “Can’t. They maybe got me pegged as a cop killer. Who knows. Sure as shit they gonna try to pin it on me somehow.” “So what’re we gonna do?” I try to think, and drive, and figure out where I’m going. Pull into a little mini-mall, see if they got anything on the news. Pick up a baseball cap and sunglasses from the convenience store. LaRissa’s only got a few bucks, and I don’t have any. But gotta hide as best I can so nobody can match me to any photos,

Go into an appliance store and see what’s on tv. Breaking news, got reporters outside the house already, but no statement from the cops. Cool, breathe easier now. We could just drive outta here. Might not even have any checkpoints set up yet. Turn to leave, LaRissa grabs my arm.

There it is, my photo, mug shot from county plastered on the big tv screen. Doesn’t look much like me, but sure as shit sends shivers down your spine. “Breaking news, the police have just released the identity of a man they’re calling ‘a person of interest’ in this case.”

Yeah, shit man, person of interest. Person gonna get fucking shot by any brother wants to score points with Lantro. Probably every cop in the city too. Motherfuck, I’m dead, sure as shit. And anybody around me. Walk outta the shop like you’re watching a movie, except it’s your life. Can’t feel my legs, Rissa helps me to the car. “Whatta are we gonna do, Mikey.” “We’re gonna die.” “I don’t want to.” “Me either.”

Look at her face. She’s too young, too pretty, to be mixed up in all this. “I’m sorry” I tell her, like that’s gonna make any difference. “Why did you do it” she asks. Yeah well, I shoulda known. Shoulda known nothing good was gonna come of setting up Lantro, picking some house outta the blue, and fuckin-A, turns out to be a good guess after all.

Yeah, that worked. But not like they gave me any choice. So, now whatta you do. Tell LaRissa to call her folks, tell ‘em to go to the police, ask for protection. The cops probably got people over there anyway, watching to see if I might show. No doubt they been to my sister’s house, maybe even my mom. Even though I aint seen her in quite a while. I don’t know. If we just had some money…

Go back to the convenience store, tell LaRiss to get some candy, gum, whatever. The clerk’ll be looking at her, checking her pretty face and nice breasts. Gimme a chance to grab a BB pistol or whatever off the shelf, stick it under my shirt. Better’n nothing. She gets the stuff, goes out to the car. The guy’s still watching her through the window. I go around the counter, stick the gun in his ear. “Open the till.” He does, and I grab the cash, not much, just what’s there for making change.

Tell him to lie down, keep his mouth shut, eyes closed. I grab a pack of smokes, then see an old .38 under the counter on top a stack of papers. Grab that and go. Looking back, don’t see him get up so that’s good. Guy probably didn’t even see what I look like, too busy staring at Riss. Not that it matters. At least we got a few bucks, and a gun. So that’s something.

“What’re we gonna do” says Riss. “I dunno” I tell her. “But, we gotta stay cool. Not panic, y’know. We’re not gonna get a lot of chances here. So…” If only I could think of something. But there’s no place to go. No place to hide. Geez, head over to the old park by the airport. Construction goin on, like they been working on it for years, dozing out new places in the forest along the creek. Don’t know what there’re up to, but it’s all deserted, lots a places to park where nobody can see the car.

“Why don’t we just leave” she says. “Get outta here, go to Canada or something, and nobody can find us.” “Yeah, we can” I tell her. But there’s something else. Something holding me back. “Mikey, whatta we doing, why aren’t we going.” Riss is all wound up, seconds ticking by like the rest of her life. Woke up this morning without a care in the world. Now it’s like your last day. And it’s on me, whether we live or die.

“The guys, who are after me… are the guys, who killed Dougie. The same ones.” “How can that be.” “It just is, that’s all. The cops, wanna solve that, all of a sudden. Wanna, catch the guys.” “You said you didn’t know, who it was. That’s what you said, Mikey, that’s what you said.” She’s so hurt, this guy, me, she thought was like a hero. Now this, the truth, reality.

“What I know is… they would kill you, and your family, and everybody else; if I ever talked. That’s what I know. And how, how’s that gonna make anything better, huh?” She turns, walks away. I watch her go, what can I do. See a robin hopping along on the ground, poking through the leaves. An airliner flies low overhead, deafening roar like it’s gonna drop right down on top of you. Weird. How do people live here, with that going on all the time.

Light up another cigarette. Riss comes back, tears running down her face. Wipes her eyes, looks at me. I try to see what’s there. Hurt, anger, but no fear. She puts her arms around me, hugs me. Maybe it’s all she’s got left, makes me feel like crying too. But what’s the point. “We can go” I tell her “run, hide, forget all the people you ever knew, all that. Or… maybe go find some people.” “Who?” “The ones who started this, that’s who.”

Makes me feel better to say that. Like I’m a dead man, and it doesn’t matter. Nothing they can do to you after that. Thing is, once you decide, there’s no turning back. So, gotta think it through, figure it out. I go over the whole thing with Riss again, so she’s got it straight. And I can use her to think off of.

“The DEA guys gotta be dead ‘cause otherwise it woulda come back on the cops. But one of the cops musta made it outta there alive.” “Why?” “Cause if everybody was down, or shot up… and then the police show up, find the drugs, and all that money. It’s like this big drug bust, big news, and all that. But it didn’t come off like that.”

“They said it was, a drug bust gone bad” says Riss. “Yeah, and if they’d found all that money, and all those dealers shot to shit, it woulda been… yeah, well at least we’re doing our part, y’know.” “But they did find all those guys.” “Yeah, but not the money. So… one of the metro guys musta split with the cash. Then come back, before the police got there.”

”Why would he do that” she asks. “I dunno. The plan… woulda been to just get the money, maybe the drugs too, and split. But maybe he got hit, not so bad as he couldn’t get around, but figuring he’d half to get to the hospital, get fixed up…” “Then come back for the money” she says. “Yeah, so it’s gotta be out there, somewhere.”

“In his car” she asks. “No… that's a police unit. They’d shake it down, y’know, just in case. ‘Cause his story’s gotta sound fishy as hell anyway. How come he’s alive, and everybody else is dead. No, he stashed it. Close by, hoping he can get back to it.” “And you wanna go looking for it.” What else can we do” I ask. “I thought you wanted, the guys who… did this.” “One thing leads to another” I tell her “cause it’s all about the money.”

That hurts, you can see it on her face. That Dougie was killed just for some measly handful of dollars. But that’s about the size of it. Life is cheap around here. Money means something, a lot more’n any of us. Poor kid, I ‘spose we all know that, but hurts to hear it just the same. Looking at her face, then I see a black and white pulling in the entrance to the park.

Rissa looks at me. “Whatta we do?” “Go flag ‘em down. Tell ‘em you’re… out walking around, found some homeless guy… bleeding to death, down under the bridge there.” “What. Why, what for?” “Trust me” I tell her. She runs off toward the cop car, waving her hands. I sink back into the woods, watching.

Car pulls up to the bridge, Rissa walking alongside. One of ‘em gets out, and she goes to point at whatever. Then the other guy gets out to see what’s up. Come up behind. “Put your hands up. Don’t touch anything. Don’t move.” They turn, look at me. Riss runs off.

“You don’t wanna do this kid. Think about it.” “Shut up! shut up shut up. I’m pretty nervous, don’t want this gun goin off by mistake.”

Tell ‘em to lace their fingers behind their heads, then one at time, toss the guns, and then the cuffs. Grab the guns and stick ‘em in pants pockets, but makes me nervous, for real, gotta light up a smoke. Geez, either one of these guys jump me, we’re cooked. Fuckin fried, and that’s that. Gotta think, and try not to shit my shorts. What’s the drill? Tell ‘em to throw their keys out. One guy does, the other says his are in the car. Yeah maybe… no that’s bullshit.

“Your cuff keys” I tell him “look, I aint got time to fuck around.” He reaches in his pocket, throws a rings a keys toward me. “Okay then.” I pick up the cuffs and toss ‘em to one of the cops. “Put it on, loop it through, under the bridge there.” Get the other guy to do the same. Feels better, both of ‘em cuffed up to the underside of the bridge. They’ll get out of it, soon enough. Probably got other keys they can get to. But I aint worried about it.

“Listen, I didn’t kill any of those guys, back at the drug house.” “Nobody says you did.” “Doesn’t matter, just shut up and listen. I need to know some things.” I tell Rissa to pull the cop car up into the woods, get our car and be ready. She doesn’t ask, just does it. And that’s good. Guess she doesn’t have much choice. I can feel the seconds ticking and they’re moving fast.

“So, who got out of that house alive?” “What?” “Don’t fuck with me, I’m not waiting for your backup, okay. Who, tell me.” Stick the gun in the cops ribs, pull back on the hammer. “Orenson” he says “Detective Orenson.” “What’s his first name?” “Huh? I don’t know.” “Scott” the other guy says “I think his name is Scott.” “Okay. How bad was he hurt?” “What?” “Fuck it man, just answer me.” “Not bad” says the other cop “just… he’s gonna be okay. Is what we heard.”

“Excellent. Now listen to me, Orenson… was the guy… and his partner. They started shooting, at the DEA guys. I got the fuck outta there. And that’s all, that’s all I did. Okay.” “Okay.” “Yeah, okay” says the other cop. “You tell ‘em that. And… I’m sorry about this.” Run up the hill and jump in the car. Shit, wait. Wanna go get the .12 gague outta the cop car, but jeez, just to get outta here is all. Floor the accelerator and take off. Oughtta stay cool, but can’t do it. Too much adrenalin, or fear, or whatever. Just wanna get the fuck outta here, and not get caught.

“Mikey, slow down.” Yeah, she’s right. Ease off the gas, try to drive normal. Just to get outta the park and down the street. Sure enough, you hear the sirens coming in the distance. Geez, they musta called it in as…just an incident, no big deal. But maybe somebody back at the cop shop figured it’s worth rushing in the cavalry. Man, glad we got outta there. Pull into a side street and look for a place to park. Shit, might as well keep going. Cops aren’t gonna be coming down any little side streets, they’re all heading for the park. Yeah well, we aren’t there, so it doesn’t matter.

“What were you doing” says Riss “pulling a gun, on the cops. That’s…” “They told me, Detective Orenson, was the guy.” “From the house?” “Yeah.” “And?” “And…he wasn’t hurt bad. So we gotta go get the money, before he does.” “But they’re gonna be cops all over that place.” “Yeah, and he can just slide right in. Nobody’ll notice.”

That’s one thing. Gotta figure the hospital staff gonna be telling the guy he can’t leave. And he’s saying, nah nah, gotta get back, to my guys, whatever. Give us a little time anyway. But we gotta get outta these clothes. People can’t make you from a photo, not at a distance. But they got a description of your clothes and everybody be calling the cops anytime they see somebody dressed like me, or probably Riss too. Now that she’s in on it.

Stop by the Goodwill store, pick up some stuff that’s altogether different. Nice though, they got good stuff here. Little old lady behind the counter thinks we’re a cute couple. Yeah, I guess. At least she’s got no tv or radio on, so she hasn’t heard about it. I’d like to get an update. Go next door, into a darkly lit bar, can hardly see in here, but they got a tv over the bar. Still running that stuff with my picture and all, and some new stuff.

Firemen and cops outside Riss’ house, burning to the ground. They torched it, but nobody was inside. That’s good. Looks like it blew all to pieces when the fire got to the gas pipes. Shit what a mess. Riss is still in the store trying on clothes. Good thing. Guess I’ll mention it to her, at the right time. Motherfuck, just glad her mom wasn’t home. That’d be the shits. Not like any of ‘em are safe anyway. Probably got all my guys. Can see ‘em now, jacked up against some brick wall, fists slamming into your gut.

What can you do. They’ll say they haven’t seen or heard from me. And it’s the truth. That’s better’n me calling ‘em, telling ‘em to run. ‘Cause they’d be caught anyway, and then it’d be even worse on ‘em. Wish the cops could do something. But not like they wanna help me out anyway. Probably want me dead and all my friends and relatives too. Just the way it is.

Go back and get LaRissa, then pick up a car in the alley behind the crummy old bar. “What'd you find out” she asks. Kind of a cheery lilt in her voice. All decked out in some nice jeans and cute jacket. Got her hair tucked up under a hat, very chic. She could be anybody, any high school kid in town, nobody’d know. I feel better too, with dark-colored clothes, hat, sunglasses. Like you’re a different person, anybody you’d want to be. Looking in the rearview mirror thinking ‘we are in-cog-nito.’ Feels good. I look over at Riss. “They fire-bombed your house.”

“What? Mikey, no, no.” “Nobody was hurt though, not home, I guess.” “How could they do that. Why. My house, where I live, all my stuff, everything, my whole life; gone. Jesus.” “That’s what they do, Riss. Wouldn’t matter if you, or your mom, was home, or inside. It’s what they do.” She doesn’t say anything, tears running down her cheeks. I can’t even worry about it, no time. But it’s like that kid back at the school. It’s kinda cool when it’s all like a game. But people get killed and lives ruined, and it’s no fun anymore.

Circle around a block or so west of the drug house. Park on a side street. “You ready.” “No” she says. “Wanna wait in the car.” Shakes her head. “I can’t, wouldn’t know…if you’re coming back, or not.” Get out and make our way in between the houses. Feels safer walking through people’s yards, instead of the sidewalk. Cops got the end of the street cordoned off. Don’t know what they’re up to, maybe fingerprinting shit or fiber samples or whatever.

I make it about a block and half north where we’d parked the car. Just a few hours ago but seems like a lifetime. Guess it was, for the guys in that house. Shit, all those kids, and the DEA guys too, murdered over some fucking shoe box full of money. Fucking paper, worth so much more than human lives. What a waste.

Fuck it, gotta figure out where Orenson woulda stashed the stuff. Don’t know what to look for, just an ordinary street. Could be anywhere. Bushes, under somebody’s porch, trash can. I don’t know. Then something clicks. When we got outta the car this morning, had to step up on the sidewalk, over a sewer drain. It was right in front of the car. Looking at it now, there’s maybe one per block.

Head down farther to east, tell Riss to wait in the alley by an empty garage stall behind some apartments. She can duck inside if anyone comes. Good a place as any. No problem for me to slip down through the sewer drain, but now I gotta crawl on my hands and knees. Not so bad down here. Fairly dry and just kinda smells like old leaves and dried sewage that’s been stuck to the sides from heavy rains or whatever. After a few feet you can’t see anything. That’s weird, kinda like a mole underground. Eyes and ears got no use ‘cause it’s all pitch black and no sound.

Keep edging forward, takes forever ‘cause you can’t hurry. Every bit of you screaming to turn around and go back, so you gotta force yourself to keep moving forward. Don’t know if these things have like drop offs or whatever or even what’s down here. Rats or snakes or some kinda mutant monster eels or who knows. Try not to think about it, just think about Riss, up there in that nice dry garage. All safe and pretty.

After forever I can see light, where the next sewer drain is. Wanna speed up now but not make any noise ‘cause there could be cops standing right on top of it. Maybe even Orenson, waiting for a chance when nobody’s looking. Finally get there and look up, feels good to see the sky. Man, like claustrophobic down here. The whole goddamn thing could cave in and nobody’d ever find you.

Wanna try to stand up, see if I can see any cops or what they’re doing but my knee hits on something. The fucking briefcase, the same one the DEA guy handed to me. Shit, I grab it and open it up. There’s the two kee’s and all that fucking money, jeez, all in one place. Gotta hand it to Orenson, he may not care about killing kids and cops, or even if his partner gets it. But he knows enough to grab the valuables and stash ‘em someplace safe.

Make my way back down to the other drain, stand up and peer out. Can’t see anything but its gonna be harder getting out than in. Figure I’ll tie the briefcase to my shoelace, try to pull myself out head first, and drag that up from behind. It’s tough, a tight squeeze, and takes forever but I guess nobody saw me, so that’s good. Try to act casual and just walk back to where I left Rissa.

Geez, my heart starts to beat so loud I can’t hear anything else. And it feels bad, like death coming. Like being watched by people who want you dead. Don’t know what to do. Reach for the 9 mil, pull back the slide and hold it down by my side. Look around for any movement. Get to the garage, nobody here. Shit, they got Riss. Shoulda taken her with me. Now what. Get out, look around. All quiet, nobody, nothing. Just…a phone ringing. Inside the garage, on a ledge, her cell phone.

“Yeah, what!” “Mikey, it’s me…” “Riss, where are you?” “Get outta there, come over… to where all the cops are.” “What?” “Just do it.” Yeah okay. At least she’s alive. Start walking toward the drug house, then running. See the cops still meandering around the place; slow down, try to catch my breath. Phone rings again. “Mikey, I’m in the house…‘what’s the number?’ 2401, on Grissen.” “Okay.”

It’s on the street facing where all the cops are. Go in, and Riss runs up and grabs me. Says she got spooked at the garage in the alley. Guys watching from behind other houses, start coming toward, so she took off. Figured nobody’d do anything if she’s within earshot of all the cops. Then she ducked in here.

Squalid little place. See an old grandma, and a buncha little kids. She’s trying to keep ‘em all quiet ‘cause it’s like a big game to them. Big shootout across the street at the vacant lot, and cops and reporters there all morning. Little kids watching from the windows, playing cops and robbers in the living room. A couple a kids got little toy guns or plastic water pistols, hiding behind the furniture, shootin at each other. Like the most exciting thing that ever happened.

Shit, around here, they’ll get used to it. Get hit up by the gangs when you’re nine or ten; or even younger if you’re a crack runner or lookout. And that’s that. No way out. Grandma doesn’t know what to do with ‘em all. Just try to keep ‘em from knocking stuff over. “What’re we gonna do?” I ask LaRissa. “I don’t know. No way we’re gonna make it back to the car.” “How many, you think.” “Don’t know, saw two of ‘em; young guys, mean looking.”

Jesus, like we’re stuck here. Can’t go to the cops, can’t make a run for it. See the phone on a table in the corner, gives me an idea. Call a cab. Tell ‘em there’s a big tip if he gets here quick. Then go over to the window and wait. Meantime, I ask grandma if she’s got a bag or something that I can use. She goes to the kitchen, comes back with a little plastic grocery bag. Open up the briefcase and dump the stuff in. Riss watching me, her eyes light up when she sees all those hundreds. “Jesus, Mikey. They’ll kill you for that.”

“Yeah, but they’d kill me anyway, so it doesn’t matter.” She grabs one of the bound up hundreds, hands it to grandma. “For all your help” she says “thanks.” That’s nice of her, but the cab’s here. Take a quick check, open the door, and take off running. Jump in and tell the guy to get outta here fast as he can.

“Where to” he says. Hand him a couple of hundreds, tell him to get to the airport. Half way, tell him to stop, and we hop out. Give the guy another bill, tell him to keep on to the airport. “What for” he asks. “Just do it, okay.” I guess he gets the picture. Somebody chasing us, he’s suppose to lead ‘em in the wrong direction. Whatever, not a bad day’s work. Better’n taking little old ladies to the grocery store.

“What now” says Riss “why didn’t we just go to the airport. You got the money.” “I dunno. We gotta think, figure it out.” Walk across the street to little diner, get something to eat. Sit in a booth in the corner, outta the way. Call up this guy I know, figure he’ll get word to Lantro.

“Yo, Tony Boy, this is Mike Creston.” “Hey Mikey, where you at?”  “On Mars, aint comin back. But tell Lantro I know where his money is.” “So, whyn’t you come over. We can talk.” “Cut the shit Tony. Everybody wants me dead, you and I both know that.” “Yeah, okay. So what’s the deal.” “The money and the dope… a cop, named Orenson, Detective Scott Orenson. Stuck it in a briefcase, tossed it into a sewer drain, down the street from the house. He’s probably there looking for it, right now.” “Okay, that’s good Mikey.” “Yeah, and by the way, I didn’t have anything to with it. Metro cops, and DEA, they set me up. Took me to the house, like a pawn, y’know.” “Sure, sure, no problem. Meet me somewhere, we’ll straighten it all out.”

Think about that for a moment. Oughtta just hang up, but I need him. Maybe can use him. “Yeah sure, Tony. Call me back, at this number.” Click the phone shut. “What’s that about” asks Riss. Tell her I want Lantro’s boys watching for when Orenson shows up. Give ‘em his just desserts. “But they won’t find anything” she says. “Yeah, but Orenson’s gonna die trying to explain it, won’t he?” “And then they’ll come for us.” “Doesn’t matter, we’re at the top of the list anyway.” “So whatta we do?”

That’s the part I haven’t figured out. Anyway the food’s pretty good here. Too bad I can’t taste it. Everyone who walks in looks like they got a .12 gauge under their coat, and looking for me and Riss. Makes you jumpy. Hard to even smoke a cigarette without looking all around all the time. Shit, my hands are shaking. Some fucking tough guy, can barely hold a cigarette. The tv’s got the same old news, plus our pictures, and stuff about Rissa’s house getting torched. Wonder if that assistant DA is happy about all this shit. All those dead kids, and dead cops too. What’s the point.

And then I get it. Clear as bell, all of a sudden. He’s right. Yeah, he was right all along, and LaRissa too. The thing to do, the only thing to do, is to bring down Lannie Trophers. If we don’t, we’re marked for death wherever we go. He’s not the forgiving type. So why should we be. Yeah, that’s what it all leads to. Ever since he killed Dougie. Or before that even. Ever since he decided to sell death on the streets. He probably knows that too. Just waiting for that bullet with his name on it. I guess that’s me. Or not. Either way, that’s how it is.

Shit, like nothing matters anymore. Sit back, drink my coffee, have another smoke. If this is our last day on earth, no need to rush it. Somebody come here to take us out, let ‘em come. And may the best man win. What else can you do. Makes me smile. “What’s so funny” says Riss. Just shake my head ‘cause it all seems so easy now. “They want us dead.” “Yeah…” “Well, two can play that game, right?”

I guess she pretty much feels the same way. They killed her brother, torched her house. What’s she got left. Either keep running, or go down swinging. At some point, everybody gotta do the last one. ‘Cause they back you into a corner, that’s all you got.

Okay then, we go out and find a sporting goods store. Get a box of .38 shells and a couple of boxes of 9 mil, some other stuff. Guy wants to know if we’re going camping. Yeah, either that, or going to war. I tell LaRiss how to work the guns. She wants the .38 ‘cause it’s simpler, just pull back the hammer and shoot. But you gotta take time to line up your sites. Can’t just point and shoot, and no way you gonna hit a moving target. Same goes for them. And that’s good to remember.

I figure we got all day, might as well find someplace safe to stash the cash. A locker somewhere, but both Lantro and the cops got people watching the airport, bus depot, everyplace you could think of. No problem, there’re other places; community college, or a fitness club, YMCA, maybe even a bank. One’s good as the other.

Call Tony Boy on the cell phone. Tells me they found Orenson, and he died screaming like a pig. Changed his story a dozen times but eventually came out that it was him and his partner, and I had nothing to do with it. I guess that’ll happen when they bustin your balls with a hammer and a pair of pliers, tap tap tap. That musta hurt.

“But Mikey… guess what, there wasn’t any money.” No shit, Sherlock. Tell him I wanna meet. Just me and Lantro, unarmed. Tell him where and when. I give him the money, he lets me and Riss go free. And that’s it. “Yeah” he says “I’ll see what I can do.” Motherfucker, you better ‘cause it’s the best deal you gonna get.

We catch a cab, tell him where to drop us off. Feels kinda shaky but what can you do. Go over it with Riss. She nods her head “okay.” But her breath is short, mine too. Wish there was some way to relax, stop my heart from pounding. Watching the buildings and streets go by, trying to think of anything I might’ve left out, overlooked. Too late now, we’re here.

Get out and walk up the long steps to the Federal Building. Sun shining, looks nice, flowers in baskets hanging from the street lamps. Go inside, there’s the metal detector and a couple of fat cops. We hang out by the glass door, watching. A car stops across the street. Lannie Trophers steps out, looks around. Tall rangy guy, looks like death to me. Take a deep breath and walk outside, down the steps. Wave my hand and he comes toward me.

No expression on his face, hard cold eyes. “You got my stuff.” Hand him the briefcase, he opens it up. Couple of kee’s wrapped in tin foil, stacks of hundreds on the outside with one dollar bills in between. “It better all be here” he says, like he could kill you with his eyes. “It isn’t” I tell him “it’s a set up.”

Look up the steps, a guy in a suit walks out the door. Just a coincidence, or is it a fed coming down to bust him. Lantro follows my gaze, runs it through his head, smiles. Looks at me, then back at the man. Then he blinks.

“You dead, Mikey. A dead man.” Turns away, then comes back at me with his fist. Catches me on the side of the face. I go down, and he’s on top of me, fingers clutching my throat in an iron grip. I can’t breathe, try to swing my fist but I’m pinned, seeing his eyes, and my life slipping away. Hear a thud and he slumps down. Rissa standing over us with the .38 in her hands. Holding it by the barrel like she’d cracked him hard with the butt end of the gun.

“Hold it... right there… nobody move!” A couple of cops, guns drawn, and the assistant DA. Cop cars screeching to a halt all around us. Lantro rolls over, looks up. No fear, just hatred, disgust. Like it’s all a big waste of time, just a game. Rissa squeezes the trigger, empties the .38 into his chest. “That’s for Dougie” she says.

Yeah well, doesn’t matter. They’ll probably try her as a juvie, anyway. Maybe get boot camp, both of us. Ninety days in hell. And nearly half million dollar in a locker at the YMCA, waiting for us when we get out.

Yer Blessings

a short story

His hand slipped. You wonder how these things happen, why. My room at the boarding house first day I move everything to the far wall. Set off a couple a roach bombs. Ever reach into your coat pocket and feel something moving? The blind guy next door cooks his own meals in our communal kitchen. Like fucking pizza crust and bread crumbs all over fuck and more roaches than you can count. Enough of that. Take the red orange carpet outta the vacant room and put that down, add the desk and swap the better wardrobe-closet for the broken down piece of shit in my room. Doesn’t look so bad now. Livable anyway.

See Marty, the blind guy making his way down the street to the little grocery store about a half-mile up the road. Damn street’s so narrow, barely room for two lanes, no sidewalk out here in the sticks, no shoulder either, not even a ditch to walk in. Just gotta keep to the edge of the road, hope the cars see you and move over or hope there aren’t two of ‘em coming at opposite directions with no place to go. So goddamn fast and blind to the straightaway coming around that curve with all the trees, be on top of you before you know what hit you. Marty, he’s used to it maybe, or doesn’t know the danger. How could he, he’s blind.

We’re in his room cranking the stereo, playing ‘Long Cool Woman’ by The Hollies. The guy in the far end room down the hall comes knocking on the door. We barely hear it. Yeah, okay, turn it down. Later a fuse blows and no electricity, no lights. The guy resets the breaker box, yells down to us “your lights on?” “How would I know” says Marty. He’s cool, like everybody else I ever met, he was at Woodstock. I wasn’t, and most of them weren’t either.

It was so hot out sun blaring down in Kentucky shimmering summer heat no shade, sweating in the heat and no breeze anywhere. His hand slipped. A great big man boy kid football player at the local high school. Big dumb brute of a kid, good for nothing except football on a Friday night. Drinking beer with the boys after the game, cool and dark in the autumn night of young life. Feeling good about the win. Poor white trash feel good about some meaningless high school game you’re a part of. A part of something good, better than you, better than where you’re from.

Prom night, Buddy Scumps, the big football kid, big dumb slow lineman, stocky solid as an oak and twice as dumb. No one to go to prom with. Thinking about going out getting drunk with the boys; make fun of all the stupid ass nerds who get all dolled up and go to prom with their fucking rich bitch girl friends. Thinking about Mary Solich, her pretty mouth and eyes and nose. Melt your heart to look into those eyes, that beautiful face, big round breasts and perfect legs. Jiggling breasts as she skips around school like a fucking ballerina. No way ever to get near a girl like that. No point even to think of it just to hurt yourself for knowing you’re not good enough. And why be always wanting stuff that’s so much better than you.

Aunt Lou has this friend at work. Not the bar, the day job at the discount store not even a Walmart. Aunt Lou scraggly blonde hair tied back but always undone like she doesn’t give a shit, cigarette in her mouth divorced and always got some scraggly truck driver biker boyfriend and tattoo on her scrawny bare shoulder. Her friend at work has a daughter named Jackie who’d be willing to go to the prom with you. Buddy wondering what the fuck that’s gonna be like. A girl who’s willing to go out with him. Some kind a fucking loser and you can’t even get your own prom date. Your mom’s sister gotta find some pathetic loser at work to match you up with. Fuck it.

Squeeze into dad’s old suit coat hanging in the closet for a decade or more, doesn’t fit right just keep your arms hunched up so they don’t hang out the bottom of the sleeves so much. Out there in the unreal dusky twilight dirt driveway and into the ratty old faded red pickup truck. Fucking dented up door doesn’t even shut right. Yeah, that oughtta make a good impression. Fucking dumb hick in a beat up old truck. Maybe brush some of the dust and dirt off the seat and dashboard. Where’s this stupid bitch live anyway? Drink a couple of cold ones on the way. Nice cool evening in the springtime of life. Good night for getting really drunk and maybe getting laid, who’d wanna waste it on some dumbfuck prom shit. Hanging around with all those fucking geeky nerds.

Coulda gone out with one of his friends’ little sisters. Brad’s little sister, Shauna. Hot little bitch all full of life and red hot ready to fuck. Only a scrawny little freshman though. Too bad. Like to find her when she’s a little bit older or not but you can only do what they let you do and never what you want. And why the fuck they gotta be getting involved in your life all of a sudden and matching you up with some scraggly bitch you never even seen before. Motherfucker. Going to catch a lotta shit from the boys over this one.

Like a loose ball on the football field. Down a score and the halfback is hit so hard the ball comes loose and lying there like a fucking pumpkin right in front of you. The only one there in open space and grab for the ball in the slick wet grass and goes right through your fingers. Big dumb lineman can’t even fall on a fumble. Right through your fucking hands. And lose the game on account of that.

Turn into a dumpy dark little section of town and there’s a trailer with a bare yellow light bulb shining in front of the door. Oh well. Go up and knock on the door with the light bulb glaring in your eyes. She looks... shining like, glowing, in a dark dress and some fucking ribbon in her hair. Mowing the endless summer lawn in the hot old sweaty sun on the sloping hill. Hands slick wet on the push mower handle. Anyone else would have a rider for a ratty old yard this big. Anyone else could afford one. Teddy kicks the ball and runs to chase it.

What do you say to this girl sitting on the bench seat of the truck beside you. She’s junior at school. Never really noticed her before. Some plain looking bitch who never talks and hangs around with the fat loser girls. What’s her name, Jackie... Klingery, or something like that. “You look nice” he says. “So do you” she says, looking over at him. Never had a girl say that before. Wonder if she means it or just something to say. “So... you wanna beer?” “I dunno” she says “I guess so.” Like she never had a beer before, goddamn. What else has she never done. Tip up your beer and empty it, slide the bottle under the seat. Wouldn’t look right to toss it out the window. Not with the girl sitting there all dressed up for the prom. Geez, gotta think about every little thing.

Sitting there in the parking lot at the school, another beer and a cigarette. “You wanna go in?” he asks. “Yeah... sure” she says, no more anxious to walk in there than he is. But inside it’s all different. Just a bunch a kids. All dark and colored points of light from a mirror ball glimmering across the gymnasium floor. A local band on the stage playing rock and roll songs that got nothing to do with a formal school dance. ‘Sweet Hitchhiker’ an old Creedence song you’d only hear on the oldies radio station. They do it good, and it’s relaxing, peaceful. Nice to be standing there with your arm around this girl.

Theodore McArthur Scumps they call him. And two outta three aint bad, thinks Buddy. Can’t do much about the last name. Little pink glob of flesh with such tiny arms and hands, little miniature fingers that stretch open and then close and all wrapped up in a little bitty blanket. They hand him to Buddy and he’s scared to death he’s gonna drop the little thing. But it isn’t like that. He’s so small, fits in your hands like a little sleeping puppy. Sorta naturally fits in the crease of your arm. “This is gonna be something” he tells her “something special. Not like his old man.”

Quit my job at the prison. Quit and moved into the ratty little boarding house. Sent the wife and kids back to stay with my folks. Haven’t told them yet that I’m quitting. Gotta pay off all these fucking bills first. How can you make that much money and still be in the hole? Marry a dumb bitch who spends more than you can make, that’s how. Whoring around all the time with the kids in pre-school and me working my ass off. Gotta put a stop to it. Send ‘em back to stay with my folks. That way when it all falls apart, I got witnesses on my side.

Marty typing away at the kitchen table on an old manual typewriter. Click, click, click, click. Roaches running all over hell. I come up behind him, see what he’s working on. “Uh... Marty, there’s no ribbon in your typewriter.” “Ah shit. Now you tell me.” Little Teddy Scumps asleep in superman pajamas, red and blue, bed shaped liked a racing car. Now running in the yard pinstriped in tiny Mickey Mantle shirt and cap squinting in the blinding summer sun kicking the ball as daddy mows the lawn.

Load up the U-haul truck and I’m outta here. Just one more day on the job to get through this one last day and then gone for good and never look back. Ron is a co-worker at the prison. My partner, my friend, he knows what’s up but doesn’t say anything. “You hear about the Scumps?” he asks. No, doesn’t ring a bell. Oh wait, Buddy, that new guard they just hired. “Yeah, what about him?” “Their little boy, Teddy, got run over by a car. His dad tried to grab him, but he slipped away from his hand.” 

Tuesday, March 4, 2025

Chapter 11

Coming to America

The pilot pulls off the highway onto a small dirt road and they all get out all groggy and cramped, and cold now in the pre-dawn dark. And half awake it feels like spilling out of a warm nest and into an eerie dream in the shadows of the sudden unfamiliar ground. Not moving now, no whining engines lulling you to sleep; and unsteady in this fantasy land of shadows as they pull the aircraft up behind a storage building.

“Now to get some fuel” says Andy. “I can do that” says the pilot “don’t worry about it…just, must have gotten lost out here somehow, I guess.” Andy goes up to him and shakes his hand “if you ever need anything, anything okay, just let me know.” “You should kill me” says the pilot looking at him through bleary sleepless eyes “cover your tracks.” Andy smiles “now you’re thinkin army.”

He turns to quickly survey the scene around him as the others gratefully smile and wave to the pilot. Then they’re gone, the three of them moving out through the quiet poorly-lit streets of the little town at a slow jog, double-time more or less, looking for transportation. At first it feels like you’re always off-balance or falling down hill after the cramped hours in the small plane; then it feels more like you’re moving fast and getting nowhere, like stuck in the mud.

Everything appears as washed in different shades of gray or soft brown in the wee hours, illumined by infrequent bare yellow light bulbs glaring from an old building or a pole every few hundred yards or so. It’s a poor little town, not much here. Goats and sheep baying in the distance, the smell of oil or raw petroleum from barrels somewhere. Zoltep spots an iron gate in front of a fenced-in area secluded by trees. He motions to the others “rich people” he says.

They hop over the gate and creep up the driveway, ending at a locked garage beside a nice-looking brick home. Andy opens the lock on a side door and enters the garage. A shiny new car sits quietly in the middle of the spotlessly clean floor. “Go get the gate” he says to the boy “oh, and check for alarms, okay.”

He looks for tools around the room then opens the car and pops out the ignition switch with a large heavy screwdriver. Then soundlessly he opens the garage door. “Get in, steer” he whispers to Maria as he goes behind to push the vehicle down the drive and out to the road.

The two young men push the car along toward the highway, running now as they get it going at a good clip while the girl steers, trying to see through the pitch black night. When they reach the highway, they slow to a stop and Andy connects the ignition wires to start up the motor and then they’re on their way. Zoltep smiles as he hops in beside the girl “you a car thief now, Princessa.” She looks at his happy face “there’s room in the back, isn’t there.” “We’ll go back there later” he says, as the girl makes a face at him.

“I should go home” she says to Andy, for no real reason, just wanting to hear what he thinks. “And do what” he asks “I think they know how to handle these things you know; the fewer people around, the better.” “I wouldn’t be in the way” she says, taking the hint. “Do you know what your grandfather told me. He told me to keep you safe; and that means, out of… target range.”

“I’m riding through Syria in a stolen car” she says. “I’ll protect you” says Jori “you safe, in my hands.” “Are they washed?” “Ha-ha” he says to her “you think I’m… a greasy little street-orphan, don’t you.” “I didn’t say that.” “Maybe not” says Zoltep “but I heard it anyway.” With nothing else to say she asks him “so where do come from, anyway; how did you get involved in all this… shit. You’re just a kid.” Zoltep doesn’t say anything. He’d asked for it, but now he can’t find the right words. “Jori’s a greasy little street-orphan” says Andy “but he’s sensitive about it, so be nice.”

Zoltep is willing to let it go at that, but the girl insists “Jori, tell me, I want to know.” “What?” “Where you’re from… how you got mixed up in this.” He thinks for a moment “I… don’t know… where I’m from” his voice is quiet soft reflective; Andy doesn’t much know about the kid’s past, and he has to strain to hear him “my parents, or whoever, not parents I guess, we… were gypsies” he kind of motions slightly with his hand, like that’s something pretty awful; or not, depending on your point of view.

“I remember Italy… I liked Italy, its warm there, sunny.” He stops, with tears in his eyes. The girl sees this and puts her arms around him and pulls him to her. “It’s okay” he says “I’m alright… goin to America, with the princessa.” “Well…” says Maria “how did you get to be, hooked up with, these secret service guys?”

“You tell her, Andy” says the boy, not knowing if his jumpy heartbeat is from all the pent-up emotions, or from the beautiful girl hugging him like that. “Okay” he says “let’s see…” he takes a deep breath and tries to sort it out in his mind, to make it like a logical sequence of things. “I was in Iraq, and we’re hunting for Sadcam. And there aint no good future in that.” “The Americans found him” says the girl. “Yeah” says Andy “but not like they found him by finding him. After all that time of looking, somebody finally gave him up. But that’s okay, they got him, anyway.”

“I thought we… didn’t have any troops, in Iraq” says the girl, interrupting him “I thought we were… not involved in that.” “Oh, we aren’t. Just… a few, crazy volunteer-types, you know; um, instructors and so forth, special forces guys. There’re only maybe a dozen or so of us. Hell, we don’t even fight under our own flag. Just go in… as Italians, or Brits, or something, fake id and all. Yeah, and nobody even knows who we are. Just, you know… f you gonna train people, gotta get that hands on, you know.”

“So…” she says, trying to sort that out “our country is officially opposed… or neutral, I guess, in this war; and you’re there fighting, with them?” “Interesting, huh?” he says, but then trying to explain it to her “it’s… just training, just combat situations. Real, you know, not mock up or anything. And, I don’t even take sides, I mean… it’s not our war, just go there, and… do your job.” The girl doesn’t say anything, trying to understand how any of that makes any sense, so Andy continues.

“So… then I’m in Afghanistan, okay, looking for Bin Laden, and not no good future in that either. So, figure… have t’get up to north Pakistan, no man’s land… and…  can’t do it.” “How come” she asks. “Don’t got the look” he says “don’t got the talk. Up there, they kill you for that, just for that; it’s… you can’t get in; you just can’t.” “So you got Jori…to do that?” she asks him.

“It’s the only way” says the boy “I mean… I got no past, you know, that could come back on me, if… somebody checks you out, like background and stuff. No… people to… well, you know; and I really, actually got in. But damn, even at that; it’s a tough place; pretty shaky stuff.” Then thinking about it, he adds “rather be with you, Princessa; you all soft, nice, smell good.” He sniffs at her neck. The girl does nothing, and that surprises the kid as much as anything. “You’re a nice boy” she says, which to Jori has that well that’s better than nothing, quality to it.

Nearing Damascus and the incredible Mediterranean sunrise breaking over the horizon. Andy squints his eyes and peers through the searing red sun trying to find signs leading to the airport. Then he sees one and quickly swerves the car onto the exit ramp and follows the signs endlessly through the outlying areas of the big city until finally they’re alongside the large quiet mass of morning sunwashed buildings and runways.

“What now, Captain?” asks the kid, like waiting to hear the plan, expecting to be scrounging for passports, money, and other stuff you pick up by bumping into the right tourist. “Chryssalis Charters” says Andy “we goin first class on this one.”

He parks the car in the ramp and they head over to the large terminal building. The charter service has a small rented hangar out on the tarmac. There’s someone waiting there as they approach. “We’re the Japanese businessmen” says Andy in a no nonsense tone. “I… was expecting a couple of Afghan heroin smugglers” says the man. “Okay” says Andy “we’re the Afghan heroin smugglers.” “Look more like a government agent with a Malvian princess” says the man “but don’t make no difference to me.”

“You our man?” “Welcome to invisible airlines” says the guy “we never saw you, never heard of you.” “I got no money” he tells him. “Yeah, well I reckon your king is good for it, doncha think.” He looks over at Maria “you sure are a pretty girl.”

They get into the small jet aircraft. A man approaches the plane carrying several metal containers in his arms. “What’s that?” asks Andy from the doorway. “Breakfast” says the pilot “guy on the phone said you might be hungry.” The man hands them the containers and then the pilot prepares for take off. The plane taxis down the runway then races forward and lifts off with no radio traffic at all.

As they level out, Andy sits down in the co-pilot’s seat “only one pilot to fly all the way to the states?” “Rules” says the man “just get in the way of things a person wants to dos. Go” he says “eat, relax, enjoy, don’t worry about a thing. Okay?”

Andy goes back to the cabin area where Maria and Zoltep are tearing into the hot English breakfast. “We’d have waited for you” she says, mouth full of eggs and marmalade toast “but we didn’t want to.”

He sits down in a soft leather chair which sort of swallows him up into a leaning back position. Then he opens up the container with the steaming hot eggs sausage beans tomatoes fried toast and coffee. It’s almost too good to be true. Maria looks at him with a big smile and like she’s thinking the same thing. He quickly eats every bit; not even thinking of have to fill up now because you never know; like battlefield rations, or your last meal maybe. It’s just that it all tastes so good.

And so different here now, all of a sudden, free from all the worries, leaving all that on the ground, and behind you. Heading away to somewhere, unknown, far away, but gotta be better than where you been and all the stuff back there.

He drinks down the wonderfully strong coffee, and leans back to light up a cigarette and thinks back to that supper, earlier, with the general… when was it, last night, yesterday, seems like a long time ago, or a different time even, a different life. Things happen, on some particular day, and then nothing’s ever the same again from that point on. He looks out the window into the blindingly sunny blue sky and the white puffy clouds, like pillows you could get out and walk on, with no worries, not a care in the world, now; all lifted up and off you, like when you take off down the runway like that, and just gone.

Then he looks over at Maria and Zoltep leaning back on the sofa by the window asleep in each other’s arms. Cute kids, he thinks, a greasy little street-orphan and a skinny little princess. He has another cup of that wonderful hot coffee and another cigarette then leans back and closes his eyes, wondering what America’s gonna be like.

Some time later they touch down at a small tropical airstrip that looks like a primitive shangri-la type wild green jungle. The uneven hills are covered with trees and brush but all shining like a thousand points of light in the shimmering sun cascading down onto the bleached white cement.

Andy wakes up and goes over to the pilot “are we there.” “Azores” says the man “halfway; gotta refuel, top off the tanks.” “Okay” he says, and adds “I thought… the Yanks owned this place.” “Yeah” says the man “they think so too. Just adds, to the cost of doing business.” “How’s that” he asks, half asleep with jet lag. “Well, the Americans like to keep track of who comes and goes on their planet. So y’gotta pay the Portuguese t’say the right thing, you know, keep everybody happy.” He gets up to go out and do the transactions “best stay inside, keep the shades down; never know who’s gonna be watchin ya from the hills.”

Andy goes back to the others and makes sure they got all the window covers pulled down. Zoltep and Maria are stretching and waking up “where are we” she asks. He looks at the girl thinking what it’d be like to wake up next to her in the morning “we’re refueling, in the Azores” he says, hoping the pilot is telling him the truth; ready to try and fly the plane outta here himself if he isn’t.

After a bit the pilot comes back and looks at the three of them “we got a flight plan to Halifax. Where you guys wanna go?” “Just… like to get back up in the air” Andy tells him. The pilot understands and goes into the cockpit, preparing to take off.

Once airborne, he veers left, and heads straight into the blinding midday sun. Andy comes in and sits down beside him. “How’s New York” he asks. “Out of the question” says the pilot, then adds “unless… that’s, where you really wanna go.” “Well, how bout… close as possible.”

The pilot runs this through his mind, like clicking through pages on a computer screen. Down the coast maybe; or inland… low and slow, over the little New England states. “See what we can do” he says.

The sun is murderous, pouring in through the windshield and Andy has to shield his eyes with his hand. The pilot, with cap pulled down over heavy dark glasses says to him “go on in the back, get some more rest; we’ll be there soon enough.”

He goes back to the cabin where Zoltep and Maria are already sleeping again, this time each on their own sofa with blankets and pillows across the cabin from each other. He finds some pillows and blankets from the overhead compartment and decides to do the same, dropping into the big soft easychair like leather seat.

It’s dark by the time any of them awake. Maria and Zoltep smile at each other and look over at Andy. Then the kid sniffs into the air. “Reefer” he says, identifying the aroma coming from the cockpit. The other two do the same and then look at each other smiling. Andy walks forward to the cockpit and opens the door. The pilot hands him a joint and explains “I didn’t think I should indulge, what with the little princessa on board and all, but thought you guys might like to.”

He takes the joint and comes back to the others and hands it to them. It’s good stuff, tastes like it’s been cured with Lebanese hash. “Our pilot is not getting stoned” says Maria. “Nah” says Andy, like who cares anyway. Then all three of them start to laugh at the thought of that. Like maybe the guy’s put it on autopilot and jumped out of the plane and they’re just floating along through empty space like a tin can falling out of a space ship or something. And at the moment they don’t really care.

“Is a hell of a note” says Maria “that the top agents of the Malvian government are getting stoned when they ‘sposed to be guarding me.” “I’ll talk to the recruiters about it” says Andy, inhaling sharply “see if we can’t get better screening.”

The pilot comes back to check on them and they all laugh as he walks in. “Hey, who’s flying the plane” says the girl. “Autopilot” he says, and they all laugh again. He opens a cabinet and hands each of them an ice cold coke “we try to keep our customers happy.”

“We gonna be there soon” he adds “could get a might hairy if... we gonna try for New York.” “Or as close as you can get” says Andy “can you drop us off… like upstate or something, out in the boondocks, or whatever they got up there.” “Well, there’re some empty military bases around there somewhere. I suppose we could try for that, but I’d have to do a touch and go, if that’s alright with you.” “That’ll work” he says, while trying to figure out exactly what it was the pilot just said.

The man goes back to the cockpit, and sends the little craft into a sharp downward angle, gaining speed as they descend. The three passengers feel their stomachs jump and heads spin like the flying carpet’s been pulled out from under them; and get that airline passenger sensation of ‘what goes up must come down’ but not this fast.

“Best buckle in” says Andy, wondering what it’s gonna be like to try and undo the seat belt once they’re a hundred feet under the black ocean water. But the plane eventually levels out and then slightly tilts upward and losing airspeed now as it does so. They’re approaching New York, flying at low altitude, not quite skimming the waves, but close enough, and at minimum speed. But even so the pilot hears that dreaded voice from some FAA center on his radio “unidentified aircraft, you are entering New York airspace, please set your transponder, and state your intent.”

The pilot smiles and taps on his radio for a moment, then replies “tower… this is West Mountain-057. We’re having major mechanical problems up here. Flying blind… nothing but fog up here… sorry… request direct to nearest small aircraft landing strip.” “Mountain-057…what is the nature of your problem… and point of departure.” The pilot quickly checks his computer. “Mountain-57…did you copy?”

“Tower… this is 57…uh …we took off from Moose Jaw, enroute to Clarkes Harbour. But musta overshot that …we must be way off course… our instruments are all haywire… just got radio back working again… uh… where are we.”

“57, you’re… about… 10 miles south of New York City, at about… 500 feet, heading two seven zero… state your intent or be advised we will intercept.” “Uh… tower… I can’t see a thing… sorry. We’re lost in the soup up here, got no instruments …thought that was maybe Halifax… please advise heading for nearest… low traffic landing strip… uh …you’re gonna have to talk me down pal, I got nothin working up here.”

“Uh… 57… I can set you down at… Plainfield…if you can maintain current heading… for approximately… two-zero minutes.” “Roger tower… and hey…”(he taps on the microphone a few times) “ah crap.”

“What’s up” asks Andy. “Well, I guess they’re not gonna shoot us down. I’ll try t’drop you folks in… Aldsburg, then head out… for the boondocks, I guess.”  The pilot spots a small airfield and approaches its longest runway from the wrong end, coming in over the little unlit tower and then skidding to a screeching stop at the very end of the cement. The passengers hop out and scurry into the dark wet grass as the pilot turns around and prepares to take off. He races down the runway toward the small dark tower, then up and gone, flying without lights at very low altitude. “Like back in the war” he says to himself “hope they don’t start shootin.”

Monday, March 3, 2025

Princesssa

Chapter 10 Bat Out of Hell


Andy turns the car onto the main highway and soon they’re coming near a small city, the one where Jori boarded the train. “Should I call ‘em back” asks the girl, trembling a bit. “Sure” he tells her, not knowing if that’s a good idea, not knowing what else to say. She dials the number and gets a recording; then nervously tries to dial 9 twice but messes up the numbers as her hands are shaking; finally she gets through.

“Hello” says a far off expressionless voice. “Grandpa” says the girl “is everything okay?” “We’re okay” he says blankly. “What’s going on” she asks, starting to feel shaky all over “where’s… Freddi?”  The king hesitates, with no words to explain it to her, then asks “can I speak to Mr. Korzene."

“No” she says, with tears in her rising voice “tell me what’s going on; I want to talk to Freddi, okay.” “Please” says the king “don’t worry, we’re all fine; I just need to talk to… Andre.” She pushes the phone into his hands feeling like being betrayed by Judas; not understanding why, but shaking all over just the same.

“Yeah” says Andy. “Mr. Korzene… Andre” says the king “thank you... keep Maria safe, please. I’ll be in touch… when, we get everything sorted out here.” His voice is weary, tired. Andy knows the voice, the sound. It’s the battlefield voice of even when you’ve won, you’ve lost, because now you gotta go pick up the pieces, put them in bags, write the letters. Telling yourself “better you than me, pal” but actually wishing it’d been you instead of that poor young kid, going home to mom now, in fragments.

The phone indicates ‘call ended’ and Andy starts to hand it to the girl, but puts it into his shirt pocket instead. She has her hand over her eyes and is shaking there in the car between the two young men. Zoltep looks over at Andy who nods to him. He puts his arms around the girl and draws her to him and she begins to cry and shake uncontrollably. “You stupid fucking soldier boys” she says “who would ever want to know you; any of you, you just… oh, fuck all of you.”

Andy drives the car through the dark quiet town to the north end and up to the main hangar of a small airport. He stops and they get out, instantly surrounded by armed men. “Puts your guns down” he orders them in a loud voice “I’m Colonel Valtos" says Andy "we’re here on official business.”

Inside the building he goes up to the man by the flight desk while Zoltep gets a coke from the machine and lights another cigarette. The boy never lets go of Maria and sits down in a chair along the wall with her beside him. “I need a plane” says Andy giving the man military orders “I don’t have any time for anything else, a plane and a pilot, now.” “We’re on red alert” explains the man “the country is…under attack.”

“I’m Captain Andre Korzene, that’s Maria Salin. We’re getting out of here, now.” “I can’t just do that” says the man “you have to understand.” Andy pulls the pistol from the back of his belt and puts it up to the man’s eye “do I look like a terrorist?” he asks. Maria looks up from her chair “it’s okay” she says “we need to… relocate to a secure area.” Her voice is sad, painful, repeating those same stupid phrases you here on the tv when something is tragically wrong.

“I’m a pilot” says a young man approaching them from the group of standby alert personnel. “There’s a plane… outside in one of the hangars.” “Ilban” says the man behind the desk “you can’t just do this.” “I’m going to” he says “quit jerking around; can’t you see…”

Andy lowers his gun and walks toward the door motioning for Zoltep and Maria to join him. The young pilot turns to go with them as the others look to the man at the desk. “It’s okay” he says, and then louder “it’s okay, let them go” and adds to himself “fuck it, I don’t know what the hell’s goin on anyway; goddamn it.”

The pilot leads them through the darkness over to a hangar, and unlocks and pulls open the large sliding doors that rattle and screech in the soundless night. He clicks on his flashlight and shines the beam over toward the little twin-engine plane sitting there in the middle of the large dark room. It’s creepy, eerie, like a foggy night when you’re lost at sea, escaping on a life boat from the Titanic or something, or running from ghosts in a bad dream.

He helps the three passengers climb up and into the little plane, then starts up the engines and prepares to taxi out onto the runway. No pre-flight check, no lights, nothing. “How much fuel” asks Andy, pointing at the instrument panel and yelling over the high-pitched whine of the engines. “Where you wanna go” asks the man. “Damascus.” “Maybe” he answers, checking the gauges again.

He steers the plane out to the darkened runway as a voice comes over the radio “you wants the lights?” The pilot considers this; “no” he answers. He runs the aircraft down the runway to speed. Then pulls back on the wheel as they bump up over the buffeting air and lift off into the black starless night.  “Oh… shit” they all kinda say in unison. “Well” says the pilot, relaxing his tense grip on the wheel and drawing in a deep breath “that worked.”

“Can you fly this thing at night” asks Andy.” The pilot breathes easier and checks his compass against the few lights of the town below “we’ll make every attempt to do just that.” Checking his watch and the gauges on the brightly-lit instrument panel, he adds “sit back, and enjoy your flight.” The plane veers to the left and then climbs to altitude.

“Show me how to fly this thing” says Andy. “No problem” says the pilot “but you’re going to be a bit busy navigating, okay? Got to… use time and distance; no radio, safer that way. But… is a bit, of a challenge, on a night like this.” He smiles at Andy and then checks his watch again. Andy sees him do that and looks at his own watch “0-two, 0-five” he says, loudly. “Hack” says the pilot. For reasons of their own, both men keep their watches current to GMT at all times.

Once they’re at altitude and their ears have popped and then adjusted to the noise and the sensation of flying blindly through a black hole or a crack in the universe, the pilot begins to explain things to Andy who quickly assimilates what he feels is essential and discards the rest. The pilot can sense this and decides to change the subject before he becomes irritated “there was a train wreck… south of town.”

“Yeah” says Andy looking out the window at the impenetrable blackness. The pilot continues “apparently, no one was seriously injured. They say it was miracle.” “Miracle my ass” says Zoltep from the back seat “see, I told you.” “He’s good with fireworks” says Andy. The pilot is intrigued, but not surprised, having figured his passengers were involved in or closely connected to the things that were going on.

“We also…heard on the news, that the palace was attacked.” “What did they say” asks Maria, impatiently sitting forward and poking her face in between the front seats. “Again” says the pilot “no serious injuries… just some minor damage.” “Those assholes” says the girl “those motherfuckers.”

“It’s a standard thing” says Andy “standard press release. They aren’t, gonna say anything to…get people all worried or upset.” “What’s going on?” asks the pilot, aware of his unique connection to the inside of everything that was happening to their country. Andy looks at the man and understands his feelings, wanting to know, things that maybe you have a right to, maybe you don’t; but he’s also very grateful that the young pilot had the nerve to get them out of there.

“Terrorist stuff” he says “they want us to…see things their way.” “And…” asks the pilot. Andy sizes up the man beside him, as he’d been trained to “are you military?” “Civilian reserve” says the man “but I flew…for the army a few years ago.” “Then you’ll need to think like army from now on. Contingency plans for non-combatants, wife and kids, whatever; rations, stores. You got armaments for this aircraft?” “I suppose” says the pilot “you could probably put a spotter in the backseat; and a sling-mounted gunner.”

“You people” says Maria, tired and sad “this is like… a video game to you… those are human beings, out there; not… targets of opportunity.” “It’s just a way” says Andy “a way to keep your mind off the fact that those are human beings; and they have lives, and wives and children, and pets; and they want their futbol team to win, just like anyone else; and nobody… wants this.”

The girl feels stung by that, and it hits her that it isn’t just her that doesn’t want all the soldier boys coming home all shot up and killed. They probably don’t want that either; but for some unknown reason, they just keep on doing it; and like the Dylan song “the desk clerk says it happens every day” and it just doesn’t stop or make any sense at all. After a bit, she and Zoltep fall asleep to the droning sound of the little plane all alone in the all black universe.

As the plane drones on, the pilot begins to wonder about little things like flight plans, clearance to fly through foreign air space, that sort of thing. “What are we gonna do” he asks “when we get there.”

“You’re not thinking army” says Andy “we’ll land, somewhere, get you refueled. We’ll catch a train, or something, to the city. You’ll fly home, defend my homeland for me, and for your wife and kids.”

Andy can never see obstacles or barriers in the way, just little hurdles you have to jump over from time to time to get to where you wanna go. Then he asks the pilot “I’d like a charter…to the states; you know anybody?” The pilot considers for a moment “I’d uh, go with Chrysillas, out of Cyprus. They’re, black-market, but dependable.” “Can you set it up?” “Uhm… I can give ‘em a call when we’re on the ground.” “Good; tell ‘em you got a couple of Japanese businessmen going to Tokyo; we’ll change course once we’re up.” “Sure thing” he says. “Okay, good. So is it okay if, I get some sleep?” “Only if you trust me with your life” says the pilot.

He flies along through the terrible blackness without even running lights, not even the cluster on the instrument panel, just all dark inside and out. Straining to see city lights below at approximately the correct time according to airspeed and maps. Like fucking Charles Lindbergh, he thinks to himself, though Lindy didn’t have the royal princess asleep in the back, along with a couple of crazy young fellows who hopefully are government agents of some sort.

The pilot assumes that no one will bother to scramble jets to intercept some lost little plane flying without clearance over their airspace. He hopes they have enough fuel to get where they’re going, wherever that is, and hopes he’ll see his wife and kids again, and forget all about this little adventure. He lets his mind go blank and fixes on the uneasy task of straining to find the lights down below in the ceaseless droning of the aircraft engine that experienced pilots don’t even hear anymore.

It’s ghostly now, haunting to be the only one awake, the only one alive in the black void. It takes him back to the army days, like it or not, and the torture of hours past midnight wanting nothing but sleep and somebody warm to curl up with. He checks his watch more and more often now and each time the luminous dial shocks his eyes and the time barely moves at all. He looks back over his shoulder at the young girl asleep in the back, so pretty and soft and sweet. But not nearly so much as his lovely wife at home with the kids; maybe worried sick about him now as he flies full speed away from them and down into this long deep well endlessly rushing to nowhere.

This is the time when you wish you were dead but don’t want to be. Just somewhere else, anywhere; or someone else, one of those asleep and at peace with the night. Not the one here, the only one who always ends up pulling the load and doing what has to be done. He’d had enough of that in the little spotter planes in Afghanistan. The bad weather and mountains and rugged terrain, and never knowing if you’re going to make it back or not; and the hours and hours on end like sapping the little time you have right out of you. And you tell yourself you’ll do it, and do your job, and then be done with it and never have to go through that again.

And here it is, come following him home, right to his very doorstep. The phone call calling you to come and stand on alert, and wait for the war to come right up to you. Well he’s into it now, deep as it gets, up to the tip of his nose and carrying the most prized possession of their whole little country here in the backseat of the plane. Such a pretty little kid, he thinks, can the whole weight of our nation ever rest on those tiny shoulders. Well, her grandfather’s a strong tough man; and a decent sort at that…but they’re just too small a country, too tiny to compete in the world of giants; just get stepped on, and squashed, like a bug; and nobody even notices or cares; got their own stuff to worry about.

He checks his watch again and flies along through the maddening dark, trying to think of what it’ll be like when all this is over, and he’s back home and they’re all so happy to be together again. And run up and jump into his arms, so relieved and delirious with joy to see him again, laughing and crying and safe, back from the war. And he can even tell them about how he met the little princess and flew her to safety and all that sort of stuff; but mostly just wanting to be back there with his wife and kids.

It goes on forever ‘til you don’t even think anymore, just all blank from the mechanical movements of doing this job and the bleary eyes and mind all shot from the strain and the lack of sleep. After a few hours that seem like a hundred, he wakes up the man beside him. “We’re there” he says. Andy looks up and out into the blackness “what... where?” “Wherever it is when you’re out of fuel.”

“Good” he says, stretching and coming out of his sleep. They’re flying a few hundred feet above a desolate highway that has a few lights here and there on either side. A small town maybe a mile or two up ahead, judging from the lights. “Should I wake them” says Andy. “Nah, unlikely we’re… won’t land okay.”

He picks out what appears to be a level stretch of road and sets the plane down with a few bumps and bounces and continues down the road still running at speed and with the lights on now ‘til they reach the edge of the town. Zoltep and Maria wake up. “Where are we” she asks. “Never-neverland” says Andy “get ready to go to work.” 

Wednesday, February 26, 2025

Princessa

Chapter 9 Reign of Terror


Back at the palace all the lights come on outside all along the grounds, like Disneyland, while inside the buildings it’s all dark. A guard climbs up to the top of a roof and is shot once in the chest. He falls and after a few moments you hear the thud of his body hitting the ground below.

Then an old-fashioned siren starts to wind up, like the air-raid signals they used from so many years before. The men in black clothing look at each other and one of them signals wildly with his hands for all of them to run forward now and attack. They were tipped somehow, he thinks, and it’s all lost. All of it; my men, our mission, our cause; and what can you do.

They run recklessly hurling themselves through any windows they can find but are shot repeatedly as they break through. Their leader drops down to a balcony and breaks the padlock and window glass with the butt of his carbine. For a split second he hides himself beside the stone casement, back to the wall, waiting, then turns quickly and sprays the room with the entire magazine of his gun in a flashing crossways pattern.

He dives in and runs to the door; no one there in the dark hallway; then he runs to his left grabbing at the trip-wire on his belt as he is shot over and over again. A guard sees him pull at his belt and jumps forward onto the falling body as the massive explosion rocks the entire area, shaking everything into a loud rumbling quaking shattering blackness of everything blown to pieces and crumbling down and apart like the whole world’s breaking in half and fragmenting into oblivion.

Then it’s quiet, dead, soundless in the seconds that seem like forever or like time no longer exists. No one moves, no one does anything. Police sirens wail approaching in the far off distance. “Get the lights” yells the king. Then after a few seconds, he repeats “somebody get the lights on, okay!” A member of the house staff throws a breaker in the basement and a few lights come on in parts of the buildings far away from where any of the fighting was.

Around the explosion and all the broken windows, guards and staff members stagger and struggle to get to their feet and click on flashlight beams if they still work, into the thick black dust. It’s like a scene in a mining disaster, black soot and debris raining down gently like black snow in a cave, bits of paper and cloth blowing around in newly created drafts of air, shattered wood and carpet and jagged stone with crumbling mortar showing and all out of place in the sides of walls and broken-up ceilings with ripped tapestries and wall-covering hanging down like moss; wooden beams and chandeliers at odd angles broken against the floors, shattered glass everywhere, reflecting back against the beams of the flashlights.

“Get some lanterns in here” orders Petros. He starts up the stairway carefully putting weight onto each step to see if it will hold. He looks up with his light but then looks down again as there is nothing but smoke and soot dropping down on him, into his eyes. “Vald!” he calls out as he wipes at his eyes “I want you here, beside me.”

The general has his pistol drawn, no intention of letting down his guard just because it’s quiet now. “Over here” yells the king, standing with his back in the corner of two stone walls, covered in soot, debris all around the floor. “Are you okay” asks Petros. “Yeah, let’s see about the others.”

A guard appears at the top of the steps, his uniform in tatters. Petros shines his light on the man’s blank expressionless face and calls out to him. But he has no hearing. He’s in shock and totters unevenly trying to brace himself against the wall. He reaches out his hand but there’s nothing there and his legs buckle and he falls down the stairs into the general’s arms. “Medic!” yells Petros, the words sounding funny, hurtful in his ears. This isn’t a field of battle, no medical staff to care for the wounded. “Help me” he says with the dying boy in his arms, almost in tears as the king comes over and takes the limp body from the general’s arms. “I’ve got him Bruno; I’ll find the… someone to help him.” “No; leave him… he’s… set him down; we need to see who else is up there.”

“General” yells one of his men coming into the large room “what are your orders, sir?” Again this sounds so strange in here, so out of place, in the king’s palace. “We need ambulances” he says to the man “and bomb squads; keep the police out of here… tell them to, set up a perimeter, along the fence-line.” He shakes his head, it all sounds so wrong, but he continues “tell them to keep everyone out. We need the fire department, or find some… get someone to get some extinguishers; and bring some lanterns up here!”

“It’s all being done General” reports the soldier. “Mr. Salin has already contacted them and they’re on the way. They should be here… soon. Juren is bringing the lanterns. Here he is.” A young guard rushes in carrying two brightly lit propane lanterns in each of his hands. He trips and almost falls over the debris on the floor. “Easy boy!” says Petros “there’s no hurry; we’re going to do this… slow; just relax, you’re a soldier.” “Yes my General” says the young man, bringing the lanterns over to him.

A policeman enters through the main doorway and all weapons are instantly leveled against him. “It’s okay” he says “I’m with the capitol police.” Don’t move” says the king with a carbine pointed at the man’s head. “Turn around, go back outside and tell everyone to stand clear… except fire department, bomb squad, and medical personnel. Wait, hold on a moment, what’s your name, officer?”

“Hernan” the man replies. “Well Hernan, who’s in charge out there?” “Captain Treski. He was on duty when… tonight.” “Okay” says the king “tell Treski I want an area search of the grounds; orderly, don’t want anyone milling around. And I want all personnel searched as they enter, with positive picture ID of everybody before they come in. Okay, you got it?” “Yes sir” he says “oh, and… who are you.” The officer realizes he might need to tell his superiors who’s giving these orders. “I’m the king. A little bit dusty, but still the king.” “Okay… your majesty” says the man as he turns to leave, with a slight bow.

Princessa

Chapter 8 The Getaway



Andy speeds the car down the road trying hard not to go too fast. Zoltep crawls over the seat and gets in front beside the girl. “It was dark back there, scary.” “Hey!” “Oh, sorry, thought that was my leg.” “Yeah right.” “So, Jori” says Andy, trying to think and talk and drive all at the same time “what was all that about.” “I didn’t touch her man, I swear.” “You know what I mean.”

“Oh, yeah…uh, hey, you got a cigarette?” “Don’t smoke in the car” says the girl. Both the young men look at the girl like they can’t believe she’s saying that. “Okay” she says “go ahead, but give me one too.” They light the cigarettes as the cold air blows in on them through the broken windows.

Zoltep takes a deep drag like he hasn’t had one for awhile, then starts in with the same fast rambling talk, trying to say everything all at once. “I been into some deep shit, man. You wouldn’t believe it.” “Well, gimme the believable version.”

“Damn, you’re a good looking girl” says Zoltep, looking at Maria as they pass under a light. “What was that stuff on the train” she says to him in a dead serious tone, coming down from the rush “we coulda all been killed.” “Ah nah...I put those charges way back in the back, nobody back there. I checked. And even  made sure we’d be at…just crawlin along when they went off.”

“Why did you want to blow up the train?” she asks, trying to keep things simple for him. “Well, Princessa, uh…you’re a target of opportunity. Sorry about that, but…when we got word from the cabbie…well..” “Jori works for us” says Andy, trying to get things straight. “Who’s Jori” asks the girl. “I am” says the kid “and, well, we were gonna hit the palace tonight. That is, at least, you know if everything went like it ‘sposed to. And then, the guy calls and says you’re bookin out on a train, right? So, you know, plans change, right bro…sir.” “They always do” says Andy.

“So, okay…we chase down the train. Man that takes some doing, goddamn express, doesn’t make many stops. But I get on, at Dravalek, and…look all over hell, every goddamn car ‘uh, excuse me’ you know; but can’t find you. So, now we’re gettin close to the border; gotta do sumpin. Don’t want no fuckin terrorist attack goin down in Iran; them motherfuckers don’t like that shit, you know.”

“They got no sense a humor” says Andy. “Yeah, and anyway…so, hey I figure, little explosion; create a diversion, right. Maybe the trains stops. But no, motherfucker jumps right off the goddamn tracks; scares the shit outta me, that does.” “Me too” says Maria.

“So” he continues “guessin you’re maybe in one of the compartments with the doors all locked, curtains drawn…smoochin or something.” “Maybe not!” says the girl. “Well I dunno” says the kid “if it’d a been me.” “I don’t think so” says Maria. “Kids” says Andy “just …tell us what’s goin on, okay.” “Well” says Jori “the rest is history. Princessa invites me to come with, so here I am.”

“You were pointing a gun at us” says Maria “a big gun.” “Yeah, sorry, usually keep that in my pants.” The girl laughs at him “you’re a funny boy.” Then she looks at his face, so young, so childlike. “How old are you, anyway? And who are you, huh?” “Oh, I’m about…uh, seventeen or so; and I’m…your new bodyguard.” “Seventeen, huh?” she says.

“I don’t think” says Andy “Jori’s gonna get to see fifteen, the way he’s goin at it.” “Ah geez, Andy, gimme a break, I’m workin here. Got the girl all askin about my personal profile an stuff.” “Who were the guys you were with” she asks, like sticking a knife into a balloon. Zoltep starts to speak but then doesn’t say anything, lost for the moment, feeling all the blood drain out of his face.

Finally he says in a slow quiet voice “friends of mine…good people.” “I’m sorry” says Andy and then thinking about it adds, with nothing else to say “maybe you shoulda said somethin.” “Yeah…like what” asks the kid, all serious now “like you put me in a squeeze here, Captain. So…I gotta go kidnap princessa here…or my pals gonna waste my worthless little ass for bein a stoolie, y’know.

“These people…they take this shit pretty seriously, you know. You’re either with them, all the way with them; or they fuckin leave you dead on the doorstep.” Nobody says anything, so Zoltep continues. “And man… you can’t fake that shit, you know. After… after you spend all that time, tryin t’get…to get into, that…bubble, and it’s so hard t’do that. But, once you’re in, man, when you’re finally in…y’start, y’really start t’start thinkin like they do, y’know. Y’start t’believe what they believe. An y’know, those guys, those two guys, Mkmar and Sehroz; man, I lived with them, like brothers, at their homes, man; and, I ate with them, and all that kinda shit.”

“Which side are you on” asks Andy. “Fuck if I know, man; who’s on my side, huh?” “I’m on your side” says Maria. “Well, hey girl” he says, tryin t’be upbeat again “then there’s two of us, and against…a whole lot more of the others.” And then not wanting to think about it anymore, he adds “where we goin, anyway.” “America” says the girl. “Fuck me” says Jori, all enthused now “I aint never been to America before.”